Good news! I’m contributing to Gamecrate once again! Here’s my first article after a two-year hiatus:
“From Sapiens to Ludens” is a phrase plastered across the online homepage of Kojima’s company, Kojima Productions. Ludens refers to Homo Ludens, aka “man who plays,” and is an idea that is at the heart of his company’s mission. The company statement includes a phrase explaining that “playing is not simply a pastime. It’s the primordial basis of imagination and creation.”
There are a number of references to Homo Ludens within Death Stranding itself. The most direct is found in a letter from the character Heartman titled “Bridges Needs Homo Ludens.” In it, he writes: “Homo ludens – they who play. Be it deliberate or unintentional, Homo ludens unite people – creating culture, shaping the very world around them – not through violence, not through laws or proscriptions, but rather through metaphorical acts of play.”
Cultural theorist Johan Huizinga coined the phrase Homo Ludens in 1938 when he published Homo Ludens: A Study of the Play Element in Culture. In it, Huizinga writes about the necessity of play for humans and its central role within human cultures.
First, an admission: today marks nearly a year to the day that I left for a week-long trip to Barcelona and I still haven’t fully edited the photos and videos I took during that trip. OOPS!
I have more free time now due to reasons related to that-one-virus. I hope to finish editing, uploading, and sharing the rest of the photos/videos from that trip beginning with this post of photos I took while walking the various streets of the city. Enjoy!
Annette Zaragoza-Bilow didn’t have a role in craftingMeasure R, but her support for the measure is deeply personal. If it passes, the measure will not only give theSheriff Civilian Oversight Commission stronger oversight power, but will also restructure the infrastructure in how Los Angeles county incarcerates people and, more importantly, treats people with mental health issues.
She hopes that the ordinance will help people like her brother, Gerry Dean Zaragoza, before it’s too late.
“My brother tried to get help for many years before the incident,” she recalls in an interview with LA Taco.
How do you explain the Latin American experience in Los Angeles? That’s a complex question, but we are sure it would look, sound, and feel a little something like this year’s Tropicália festival.
Over two days, the Fairplex in Pomona hosted Goldenvoice’s newest musical endeavor, which brought to life a mixtape that encapsulated the past, present, and future of Latin American music and brought multiple generations of Latinos and others together for a truly inclusive weekend of fun.
There were plenty of moments that encapsulated that feeling. There was the young lady who called her parents on FaceTime so that they could watch Peruvian romance balladeers Los Pasteles Verdestogether. There were the two comadres who made their way to the front of the stage for Los Tigres Del Norte and held each other as they sang, screamed, and cried to every song alongside girls young enough to be their granddaughters. There were the young goths who patiently waited for Prayers’ set by singing along with Paquita La Del Barrio who performed before their favorite duo did on the same stage. There were the Asian and African-American kids moshing together with the Latinos in more pits than I could count. There were the young gabachas who swooned at Kali Uchis’ every movement.