I have another story up at the California Healthcare Foundation’s blog! In this article, I spoke with a few representatives at AltaMed about their latest campaign, ¡Ándale! ¿Qué Esperas?, to vaccinate Latin Americans in California to protect them from Covid-19.
But vaccination events are just one of many elements of the public education campaign. Another consists of testimonials from people who survived serious cases of symptomatic COVID-19 and now advise unvaccinated people to get their shots. In one of the online video clips, Gloria Torres pleads, “If you love your family and want to continue living in this world, get vaccinated.”
Torres describes how she saw immediately that her son was sick with COVID-19, and that soon she was sick too — then her husband, then more family members. While they all recovered, Torres said that she has not yet regained her sense of smell.
AltaMed is targeting its educational efforts at eight California counties with significant Latinx populations: Los Angeles, Orange, and San Diego in the southern part of the state; Merced and Stanislaus in the Central Valley; and Alameda, Contra Costa, and Solano in the Bay Area.
My latest article is an interview with a few people from El Sol, a community health advocacy group based in San Bernardino county. The non-profit group has devoted resources to share information about Covid-19, vaccines, and more in the county’s Hispanic/Latin American population.
“We have lost everything — people, jobs, hope, and we have not had time to reflect on it,” Fajardo said. “Everything now is about the ending the pandemic and, as soon as we get this done, I’m pretty sure we’ll be having a lot of mental health–related issues. When we were doing ‘Time to Heal,’ I tried to get testimonials from people I know who have suffered a loss. People are not ready in terms of how to talk or how to heal. These discussions were painful for them, so I think it’s a good opportunity to bring awareness of it and how to talk about it.”
We’re past the one-year mark of this horrid and frustrating pandemic. Those initial months filled with angst & fear from the (somewhat slightly still) unpredictable nature of the novel coronavirus forced me to make numerous changes in my life, including to my thesis, that set me back at least half a year but, hey: boats against the current and all that!
The good news is that it all appears to be coming to an end. I received the first dose of the two-dose Pfizer vaccine already. Many of my family members & dozens of friends (some of whom survived COVID though a few their loved ones, friends, & co-workers did not) have received their doses as well.
Music played a role in getting me through it all (as it did last year). There weren’t any live shows to enjoy but plenty of new releases to listen to! Here’s a shortlist of artists/music I’ve listened to recently. May it captivate you as it captivated me in this continually strange time!
Antifragile – Abraxas
Antifragile is the first “artist” and first release at Spirit Bomb, a record label whose founders want to build a roster of “digital” artists. In this case, Antifragile is a weird, goat-headed creature that bears a slight resemblance to the Icon Of Sin from the DOOM franchise whose music is composed by Eye Contakt (Autry Fulbright and Mark Pagly).
Costa Rican producer Barzo has been incredibly busy for more than a year now. He released an album with numerous singles & videos last year, many of which were collaborations with other Latin American artists: Nakury, La Dame Blanche, El Individuo, and Un Rojo Reggae Band, to name a few. His latest is also a collaboration: Bahía feat. Pahua a.k.a. Pau Sotomayor of Sotomayor. Their track is an electronic banger that is a hypnotic and psychedelic tropical banger for the hopefully mostly pandemic-free summer that awaits us.
Bomba Estéreo – Agua
“Agua” is the first single off Bomba Estéreo’s upcoming new album, Deja. The duo of Simón Mejía & Li Saumet. Check out the single on Spotify which comes with two additional tracks: “Deja” and “Soledad.”
Also of note is their work on the documentary film Sonic Forest (which you can watch below), which “showcases the inspiring journey of Simón Mejía, founder of Latin music sensation Bomba Estéreo, as he travels deep into the jungles and mountains of the Colombian Pacific to discover the richness of Earth’s most megadiverse places through its local music and its people: indigenous and Afro-Colombian communities who work every day to preserve their territories.”
When I say that this album is heavy, I mean it both sonically and emotionally. It’s political, instrumental drone/doom metal courtesy of Takiaya Reed (Black & Tsalagi [Cherokee]) & Sylvie Nehill (Māori) that they create “to undermine and destroy the white supremacist colonial framework and to fight for Indigenous Sovereignty, Black and Indigenous Liberation, Water, Earth, and Indigenous land given back.”
There’s also a bit of spoken-word poetry on “Did You Have Something To Do With It” by Minori Sanchez-Fung that lays it all out on the table:
This is our time The legacy of greed has grown from its seed To infiltrate every place Every face
Releasing a suffering recorded in Stone And in bone So old that language can’t console it
This was the blow which we struck At first without knowing how deep it would grow. It would grow Into a frightening history that fractures hope
First, by attacking the body And then, by distorting the mind
It would grow And force us to question if we are a part Of this world or its affliction.
Whether our addiction to power will consume the beauty that was once our birthright
This is our time What is certain, is life Growing out of itself greater than the moment before Within us, around us, in spite of us.
Proving we can’t control The thing that brought us up from the cold and will press us back like flowers into the mold. We are tethered to a circuit that excludes nothing a song the dead can hear. Something resilient forming all Something that makes time small. So old, that language can’t dispose of it
Still gold over the violence. Don’t forget, this too, this too, is our time Our spirit is not weaker, it is waiting on us to decide What it is, that we will honour while we are alive.
Listen/watch the single “Denial” shot by Amber Beaton:
LASTMONDAY – YOUNOWUTÁMEAN
Another artist who hasn’t slowed down throughout the pandemic is the Bronx Dominican LASTMONDAY who stays killing the game with his beats, flow, and bilingual Spanglish rhymes! He released a slew of singles, videos, and a mixtape, Yo, Tigerito!, throughout the pandemic last year. This latest song/vid was shot in Atlanta a year after dude & his crew were stuck in Miami during the first lockdown.
La Vida Boheme – Fr€€$$r
Last year saw the quartet from Caracas (long since based in CDMX) release nearly a half-dozen tracks that were ultimately compiled into the EP titled Fr€€$$r. The album shows off the group’s range and the sonic territory they’ve covered since their debut. The album is also the first in a planned release of trilogy of EPs
The band also unveiled a 40-minute concert film titled Tiempo Compartido composed of live & alternate versions of seven songs from their repertoire:
Mexican Institute Of Sound – Distrito Federal
This latest work by Camilo Lara, head honcho creative of M.I.S., is an ode and soundtrack to Ciudad Mexico (Mexico City) formerly known as the Distrito Federal; hence the album title. Speaking of which, y’all ever eaten a pambazo? I recommend ’em!
Below is the lyric video to “Se Compran,” the opening track on the album:
I also recommend listening to the interview between Lara and Felix Contreras at Alt. Latino.
Miki Gonzalez – ZAP XXXX
a.k.a. Juan Manuel González Mascías. This guy has a long history recording and performing music that began in the rock scene in the 1980s. He started blending electronic music with Andean & Afro-Peruvian music in the mid-aughts & hasn’t stopped since (this track a case in point!).
Mogwai – As The Love Continues
The Scottish (mostly) instrumental rock band is back with As The Love Continues. The album arrives on the band’s 25th anniversary.
The best/easiest way to get acquiainted with the group (besides diving headfirst into their discography) is to read Andrew Parks’ retrospective piece on the band: A Guide to 25 Years of Mogwai.
“They aren’t always meant to be funny,” explains Braithwaite. “More random than anything else. I think being Scottish, we have a real aversion to pretentiousness, and it’s so easy to slip into that realm making instrumental music. We’ve always been wary of doing that. I think after a while people stop thinking about the words in song titles and just think of the song itself. I do anyway.”
Watch the video for single “Ritchie Sacramento” below:
Vudufa – South American Loa
Vudufa is the other musical project of Peruvian Hip-Hop duo Pounda & Nomodico who are continuing in the new tradition of Cumbia Darks aka Afro-Peruvian Dark Electronic Cumbia (a mouthful if there were ever one!) in the vein of Dengue Dengue Dengue, Animal Chuki, Deltratron, Tribilin Sound, & others.
Math-rock is back…or it never left? I honestly don’t know but I’m always happy to listen to some new math-rock. Such is the case with “Desierto,” the latest song by Peruvian group Wanderlust. It’s an uplifting anthem written specifically for these times. Listen & feel your anxiety float away!
I have a new article up at KCET about a collaborative music project that I also partook in. The project by Joshua-Michéle Ross is titled The Adjacent Possible: An Evolving Communal Orchestra and is a collaborative work of art between anonymous collaborators that, as I explain in the story, is an “experience [that] feels like equal doses of guided meditation, creative collaboration and a space for introspection and relaxation.”
From my article:
The project’s name comes from the work of Stuart Kauffman, a doctor, theoretical biologist and complex systems researcher, who coined the phrase “adjacent possible” in 2002. His theory is based on his work in biological evolution and is concerned with how organisms and biological systems, which he also refers to as “autonomous agents,” evolve into larger, more complex systems/organisms by seeking out numerous possibilities within their environment. His theory has been adapted in other fields, including the arts.
For Ross, the theory describes “how human beings, as parts of a very creative universe, are always pushing at the boundaries of what’s possible and how the aggregate choices that we make from that creates the kind of world we live in. It’s kind of how the future gets made and the idea of how the small choices that we make and bring to things, despite constraints, how those choices add up the reality we live in.”
Ross brings this theory to life through a communal orchestra. Up to 20 people gather to perform at each event. Ross serves as the event guide and conductor, speaking slowly, softly and deliberately as he shifts everyone away from the Zoom call where everyone first gathers and onto a website designed specifically for the experience.
I have a new story up at Gamecrate, excerpted and linked below:
Twitch TV raised money for the COVID-19 Solidarity Response Fund on March 28 via Twitch Stream Aid. The 12-hour event featured artists, such as Diplo and Kaskade, and athletes such as Richard Sherman and Darius Slay, playing alongside pro gamers to raise funds for the program that supports the World Health Organization’s efforts in slowing the spread of the virus and in developing a vaccine against it.
League of Legends competitor Lee “Faker” Sang-hyeok donated $25,000 to South Korea’s efforts against the virus. In a statement released in early March, Faker explained that he “felt devastated for those that are working day and night to battle the COVID-19. I really wanted to aid those battling the outbreak and felt that donating to the Community Chest of Korea was the optimal choice.”