“The reason why at least half the record is more electronic,” said Alderete, “is because Lisa and I can do it ourselves where, before, we always had to ask somebody, we always had to go into the studio. Now we can make these records that, to us, sound like hip-hop records even though they’re not hip-hop records. We just wanted beats! We’ve always wanted that and now that we build it all, we’re just going to get better at it.”
“In this [album], we both started learning engineering skills and a lot of trial and error,” said Paineau. “That’s why it took us so long because we decided we want to do it ourselves. We did have a lot of help though.”
Read the full interview over at Remezcla.
A: When it’s the Omar Rodriguez-Lopez Group feat. Cedric Bixler-Zavala OR when Omar says it isn’t.
The backstory: The Omar Rodriguez-Lopez Group headlined the Sargent House Showcase last Saturday at SXSW at Emo’s Annex, an impromptu stage and concert area built in a small lot on the corner of 6th/Red River. Fans lined up as early as 2 p.m. for a show whose doors/gates opened at 7 p.m. Zavala appeared on stage about 10 minutes before opening time to soundcheck with ORLG. Predictably, Twitter, Facebook and many a carrier-pigeon were sent into the skies of Austin to carry the news prompting the line to stretch out like an intestine up the street and behind the “venue.” The group (Rodriguez-Lopez, Bixler-Zavala, Deantoni Parks, Marcel Rodriguez-Lopez, Juan Alderete and Lars Stalfors) took the stage at 12:50 a.m. to a capacity crowd that included fans who filled up the alley behind the stage and down the sidewalk.
Here’s a clip of the madness and the music by Refused TV:
Continue reading “Q: When is The Mars Volta NOT The Mars Volta?”