Last summer’s protests in Mexico City against gentrification also bled into accusations of the gentrification of lucha libre…but was that so?
I spoke with Miguel Castro of Consejo Mundial de Lucha Libre to understand the changes at the company in recent years and their response to these accusations.
“Lucha libre is something very dear and personal to all Mexicans,” continues Arau. “All of my work, be it music, animation, film or art, is about popular Mexican culture and lucha libre is one of the most visible things there is. Compare that with the culture here, the gringo culture, where a mask is usually something associated with terrorism, with sadomasochism. There’s no tradition behind it whereas in all of Mexico, the Indigenous communities use masks, all of the fiestas in every state utilize masks, there are museums dedicated to masks made of different materials. For us, masks are something very natural.”
The space features a store that sells custom lucha libre merchandise including apparel such as shirts, hats and leggings printed in-house at the Republic of Lucha Print Shop. There are small baskets filled with plastic-mold action figures of masked wrestlers. Two large, glass cases contain mannequin heads adorned with various wrestling masks worn in official matches by wrestlers such as Fenix, Penta, Psycho Clown, Tinieblas Jr., and others, all for sale. They also host the Lucha Movie Club most Saturdays each month when the rooftop is converted into an outdoor movie theater to screen classic lucha libre films, such as the ones featuring El Santo and Blue Demon, and more.
Back in early October, Remezcla sent me to a warehouse in Boyle Heights for a story. That warehouse turned out to be the set for Lucha Underground, a lucha libre show produced by the El Rey Network. There, the audience and I were treated to a 10-man battle royale and the company’s first ladder match. I had to wait until the episodes aired (Dec. 3rd & 10th) to share photos from the event.
Afroxander (aka Iván Fernández) 