Note: This review was originally written for another publication three weeks ago. That website never published it nor did they ever inform me as to why they didn’t publish it despite previously accepting the pitch. In the industry, we call this situation “bullshit.” So I’m publishing it here.
The concert at The Roxy in Hollywood this past Wednesday, August 13th was a homecoming and a public display of reconciliation for singer Cedric Bixler Zavala and guitarist/producer Omar Rodriguez Lopez, the founding members of Antemasque, who wrapped their debut US tour that night. The duo had been here before 14 years ago with At The Drive-In as the opening act for Rage Against The Machine.
A lot happened during that time. Zavala and Lopez left hardcore outfit At The Drive-In and formed the much more experimental The Mars Volta a year after that show. That much-loved, Grammy winning band came to a sudden end in 2013 when Zavala lashed out against Lopez on Twitter and officially ended TMV. Two lifelong friends were suddenly enemies much like Morrissey and Johnny Marr.
But then, earlier this year, the two reconciled and announced Antemasque, their new project together. They quickly released their debut self-titled album online and announced their first tour featuring Le Butcherettes as the opening act.
If anyone ever had any doubt as to the duo’s reconciliation, those doubts were put to rest the instance Antemasque stepped foot on the stage. Zavala and Lopez, flanked by drummer Dave Elitch and Lopez’s brother Marfred on bass, performed together as they have for years.
If there’s one word to describe Antemasque, that word is “freedom.” The duo have long been tied down to one genre or another for much of their careers: Hardcore Rock/Punk with ATDI, Dub with short-lived project De Facto, and Progressive Rock with TMV. As Antemasque, they’re free to do as they wish jumping from Classic Rock to Pop-Punk/Pop-Rock to Punk to Acoustic ballads.
Age has yet to slow Zavala down as he jumped, shimmied, leapt off Elitch’s drum kit, and smashed his cymbals on the floor as he’s done since his days with ATDI. Lopez joined on backup vocals a few times throughout the hour-long set where the band played all but one song from their debut album. They performed an untitled new song in its place.
Lopez, who in the past had a reputation for noodly guitar antics, kept the guitar solos to a minimum until the second-to-last song of the night, “Providence.” Halfway through the song, the band gave its Volta fans a nod with a drawn-out jam session during which Zavala ad-libbed new lyrics on the fly.
Openers Le Butcherettes set the tone for the night as singer/guitarist/keyboardist Teri Gender Bender (Teresa Suarez), drummer Lia Braswell, and tour bassist Chris Commons fired up the crowd for an hour playing a mix of tracks from their latest album, Cry Is For The Flies, and their debut, Sin Sin Sin.