The So Cal Roots of Brooklyn’s Daptone Records

My latest story for KCET‘s Artbound is now online for your reading pleasure! In it, I interview Jessica Lipsky, author of “It Ain’t Retro: Daptone Records & The 21st-Century Soul Revolution.”

Link: https://www.kcet.org/shows/artbound/southern-californias-role-in-soul-musics-major-revival

Excerpt:

The artists at Daptone, such as Sharon Jones & The Dap-Kings, Antibalas, Charles Bradley, Menahan Street Band and The Sugarman 3, to name but a few, were at the tip of a steadily rising wave of a new generation of soul artists. The Dap-Kings even found themselves working for a time for the late Amy Winehouse. They recorded most of “Back to Black” with her and producer Mark Ronson in the studio and performed with her as her stage band on many occasions.

The stature of an artist like Winehouse coupled with the general misunderstanding of soul music as a product of a bygone era provided Lipsky with some challenges when she set out to write “It Ain’t Retro.” She initially wrote the book as a scene study of soul music but had a difficult time selling it to a publisher.

“After working on that for some time, it turns out it was too broad and too niche,” she explains by phone. “No one wanted to buy it and I had to pivot. A lot of the time, the people that are making these editorial decisions, be it in publishing or in journalism, this really isn’t their bag. Soul music is Motown and it’s oldies and that’s pretty much it. Then there was Amy Winehouse and that’s pretty much it. My experience was that a lot of folks didn’t really think that there is a market for telling these stories.”

You can purchase the book here: http://jawbonepress.com/it-aint-retro/

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