How His Grandfather’s Death and Mexico City Inspired AJ Davila’s New Sound

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AJ Davila. Photo by Kristina Bakrevski

There comes a time when most every old punk decides to grow up, at least to some degree. Though AJ Dávila, the heavy-drinking, all-night-partying, cigarette-huffing former member of Puerto Rican garage-rock sensation Davila 666, hasn’t settled into a cubicle or swapped any of his favorite beers for cans of V8 and protein shakes, he is, as he tells it, looking forward to the future and working on his music in ways he hadn’t before.

“I named it The Future for a few reasons,” says Dávila of his upcoming third LP, El Futuro, speaking by phone from Mexico City where he’s lived for over two years now. “I write about my experience. Most of our experiences are heartbroken shit or fucked-up shit, you know, so I said to myself, ‘You always have to look toward the future.'”

Dávila’s new outlook on life and music beyond the “heartbroken” and “fucked up shit” didn’t arrive easily.  He was in the middle of touring the United States when he received a phone call from his mother. His grandfather, who Dávila was very close to, had passed away. Dávila’s mother, however, urged him to not end his tour to attend the funeral.

“My mother told me, ‘Don’t come to the funeral,” he recalls. “‘He wouldn’t want you to be here … to see him in a coffin. So don’t come, just go to the tours.'”

Head to LA Weekly to read the rest.

Girl School/Ruidosa Presents Heroína Latina

ruidosa

https://www.facebook.com/events/1015445788599616/

Ruidosa (“to make noise, to rumble, the agitators”), invites a bilingual and multi-cultural mix of mujeres musicians and culture makers and shapers to share their unique experiences of developing careers from such diverse spaces such as journalism, punk, ranchera, pop and alternative music. A conversation that explores the challenges of being a bilingual multicultural female artist and communicator in the world today, including issues such as identity, gender and music, art and content as a vehicle of change and transformation. Today more than ever in the US, is the moment to talk about being latina, feminista and proud.

En el contexto del festival GIRLSCHOOL 2017 de LA, Ruidosa tendrá un panel de conversación con un diverso grupo de mujeres artistas y creadoras/comunicadoras bilingues y multiculturales. Se explorarán los desafíos de navegar una carrera bilingue y multicultural hoy en Estados Unidos – incluyendo temas tales como identidad, género y música y arte como vehículo de cambio y transformación social.
Hoy, más que nunca, es el momento de activarse en USA.

Panelists:
Marty Preciado (editor Nylon en español) (Mex/LA)
Victoria La Mala (Artist) (Mex/LA)
Lido Pimienta (Artist) (Colombia/Toronto)
Alice Bag (Artist) (LA)
Moderated by Francisca Valenzuela (Artist/Ruidosa) (Chile/LA)

>> GIRLSCHOOL 2017
>> When: Saturday, January 28th.
>> Where Bootleg Theatre @ 12.30pm
>> Please be there @ 12.00 at the latest.

Copa Centroamericana Final Match Day Recap

uncaf_copa_centroamericana_logo

The 2017 Copa Centroamericana kicked off this past Friday, January 13th. The biannual tournament pits Central American national teams against each other in a short tournament to name a regional champion as well as to select four national teams to the proceeding CONCACAF Gold Cup tournament.

Guatemala was not involved in this year’s tournament as the country’s football federation remains banned due to “political interference.” As such, this year’s tournament will follow a round-robin format from Jan. 13th – Jan. 22nd. The team with the most points at the end of the five match days will raise the tournament trophy.

Match Day 1 results can be found here.

Match Day 2 results can be found here.

Match Day 3 results can be found here.

Match Day 4 results can be found here.

Belize 0 – 1 Honduras

https://www.youtube.com/watch?v=sJw9dLYaD5Q

El Salvador 1 – 0 Nicaragua

https://www.youtube.com/watch?v=YRJV5wtVztg

Panama 1 – 0 Costa Rica

Honduras’ victory over Belize sealed their fourth Copa Centroamericana title since the tournament began in 1991.

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Copa Centroamericana Match Day 4 Recap

uncaf_copa_centroamericana_logo

The 2017 Copa Centroamericana kicked off this past Friday, January 13th. The biannual tournament pits Central American national teams against each other in a short tournament to name a regional champion as well as to select four national teams to the proceeding CONCACAF Gold Cup tournament.

Guatemala was not involved in this year’s tournament as the country’s football federation remains banned due to “political interference.” As such, this year’s tournament will follow a round-robin format from Jan. 13th – Jan. 22nd. The team with the most points at the end of the five match days will raise the tournament trophy.

Match Day 1 results can be found here.

Match Day 2 results can be found here.

Match Day 3 results can be found here.

Nicaragua 3 – 1 Belize

Honduras 1 – 1 Costa Rica

https://www.youtube.com/watch?v=Nb8UF8f89WM

Panama 1 – 0 El Salvador

https://www.youtube.com/watch?v=TKp6RaIv0Xw

The tournament will end today, match day 5, on Univision Deportes and live via CONCACAF’s official Facebook page.

Copa Centroamericana Match Day 3 Recap

uncaf_copa_centroamericana_logo

The 2017 Copa Centroamericana kicked off this past Friday, January 13th. The biannual tournament pits Central American national teams against each other in a short tournament to name a regional champion as well as to select four national teams to the proceeding CONCACAF Gold Cup tournament.

Guatemala was not involved in this year’s tournament as the country’s football federation remains banned due to “political interference.” As such, this year’s tournament will follow a round-robin format from Jan. 13th – Jan. 22nd. The team with the most points at the end of the five match days will raise the tournament trophy.

Match Day 1 results can be found here.

Match Day 2 results can be found here.

El Salvador 3 – 1 Belize

https://www.youtube.com/watch?v=QnTPQGbPihY

Costa Rica 0 – 0 Nicaragua

https://www.youtube.com/watch?v=h1WVFodaHgE

Panama 0 – 1 Honduras

https://www.youtube.com/watch?v=sHOPDcGo10o

Match Day 4 is tomorrow, January 20th, on Univision Deportes and live via CONCACAF’s official Facebook page.

Copa Centroamericana Match Day 2 Recap

uncaf_copa_centroamericana_logo

The 2017 Copa Centroamericana kicked off this past Friday, January 13th. The biannual tournament pits Central American national teams against each other in a short tournament to name a regional champion as well as to select four national teams to the proceeding CONCACAF Gold Cup tournament.

Guatemala was not involved in this year’s tournament as the country’s football federation remains banned due to “political interference.” As such, this year’s tournament will follow a round-robin format from Jan. 13th – Jan. 22nd. The team with the most points at the end of the five match days will raise the tournament trophy.

Match Day 1 results can be found here.

Belize 0 – 3 Costa Rica

El Salvador 1 – 2 Honduras

https://www.youtube.com/watch?v=m6CZQFJZ6QY

Panama 2 – 1 Nicaragua

Match Day 3 is tomorrow, January 17th, on Univision Deportes and live via CONCACAF’s official Facebook page.

The Historical Battles That Inspired Battlefield 1’s Operations Mode

Electronic Arts’ Battlefield series of games took a strong turn towards historical accuracy this year when the company released Battlefield 1 this past October. The game is a first-person shooter that takes place in a few countries during the Great War/World War I.

BF1 includes a new multiplayer mode with stages inspired by real battles that occurred during the war. I wrote about some of these battles for Gamecrate.

It’s no surprise that Battlefield 1 has raked in buckets of cash and praise in equal measures since its release in October. The latest installment of Electronic Arts’ first-person shooter series introduced The Great War/World War I to the series’ legions of fans, as well as a number of new, historically accurate weapons, vehicles, and new multiplayer modes.

One of the new multiplayer modes is “Operations,” which aims to replicate some of the large-scale battles fought during the war. The four battles represented are spread across numerous sections on two maps (three for maps in the Ottoman Empire) and combine aspects of Rush and Conquest: attackers must seize control of one to three control points to advance while defenders can regain any lost territory until all points are lost.

The maps and battles are also based on real-life events, and do their best to replicate the atmosphere of what were then new modes of warfare: trench and aerial. In this article, we take a look at the historical conflicts that influenced some of the battles in the game.

http://www.gamecrate.com/historical-battles-inspired-battlefield-1s-operations-mode/14984

Rocky Dawuni and Afro Funké Celebrate the African Diaspora With Africa Rising

Rocky Dawuni by Bil Zelman

The too often-used tactic of describing a musician by comparing them to another musician of years past is typically a lazy maneuver that fails to properly individualize the modern artist from their legendary counterpart. However, there is plenty of merit in the repeated comparisons critics have made over the years between Bob Marley and Ghanian reggae/highlife artist Rocky Dawuni. Without the spark of Marley’s music that lit the creative fire within a young, impressionable Dawuni, there would be no Africa Rising.

Africa Rising is the conclusion of the Ford Summer Season at the Ford Theatres, a series of music, dance, theatre and film events scheduled from May through October. The final event at the venue will feature music by Dawuni with Ethiopian-influenced ensemble Wondem, led by multi-instrumentalist Dexter Story; Congolese-Belgian singer Marie Daulne of Zap Mama; and DJs Jeremy Sole and Glenn Red.

Read the rest of my story at LA Weekly.

Schools Not Prisons: Buyepongo and Ceci Bastida Rally Against Mass Incarceration

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Singer-songwriter Ceci Bastida has long championed political and social causes such as immigrant rights, the Zapatista movement and various issues concerning her native country of Mexico. Her most recent foray into activism, however, is undoubtedly her most personal.

This Saturday in Oxnard, she will be one of a handful of artists to perform a free, all-ages show in support of the Schools Not Prisons Arts & Music Festival tour, which promotes safe communities via voting, political activism and non-violence among community youth, with a focus on funding schools and educational programs while fighting against “zero-tolerance” policing of students that ultimately funnels many of them into the United States’ massive prison system.

Read the rest of my story at LA Weekly.

Finally, a Celebration of Afro-Latino Music That Doesn’t Ignore Hip-Hop

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Kahlil Cummings is one of many performers scheduled at AfroLatino. Photo by Safiya Dawuni.

The sounds and rhythms of West African drums, the sharp slaps on the djembe and the cavernous thumps on the dunun, will echo and bounce out of the recently reopened John Anson Ford Theatres and off into the hills surrounding the Cahuenga Pass this Saturday, Sept. 10. Those drums will mark the first lesson of many in a two-hour session about the long history of musical collaboration between the African and Latino diasporas that continues today in Los Angeles.

“AfroLatino – A Celebration of the African and Latino Diasporas” is a dive into understanding the Afro-Latino identity with an ethnomusicological twist. Numerous artists from L.A. and beyond will trace the history of African people in the Western hemisphere through the impact and influence of their music.

Continue reading at LA WEEKLY.