My latest piece in LA Weekly:
Brazilian-American musician Beto Gonzalez was too young to understand the country around him when his family returned to Brazil in the 1970s. It was only as he grew older, after coming back to the U.S., that he learned of how samba music became an important tool in the struggle against the country’s military dictatorship from 1964 to 1985.
Now, as the founder and artistic leader of Samba Society, Gonzalez hopes to share that history with a local audience during a time when the current political climates in the two countries he calls home have slid towards the types of attitudes that led to Brazil’s dictatorship.
Samba Society’s Brasil 70: Samba/Soul/Resistance, which they’ll perform this Friday at the newly restored Ford Amphitheatre, explores the rise of samba music in a decade marked by political censorship, repression, kidnappings and torture. Samba, forro and other genres of Brazilian music kept the spirit of resistance alive among the masses as the movement against the dictatorship grew, a resistance Gonzalez learned about during his studies at UCLA and in Rio de Janeiro as an ethnomusicology major.
Click this link to read the rest.
Afroxander (aka Iván Fernández) 